Onna Vida: Because Being Together Is Enough!

Celebrating the sensual delight that this masterpiece is…

-Mani Prabhu

The piece works best when it’s read with the track playing in the background.

It’s so quiet that all he could hear are her laboured breaths.

And then, there is this startling crackling of her necklace, caught under his neck.

They shudder for a moment, almost losing themselves to the unexpected rustle. But again, she smiles.

He responds with a sultry twinkle and pulls her closer.

Her body is now almost interlaced in his. Just like the creepers braiding themselves under water. For a moment, you imagine an invisible rope tying them down together. She seems lost… somewhere within him, only to find herself reveling in the drift.

அல்லி கொடிய காத்து அசைக்குது
அசையும் கொளத்துக்கொடம்பு கூசுது
புல்லரிச்சு பாவம் என்னை போலவே அலை பாயுது!

The union of their souls. It now seems like the inevitable.

They lay bare, eating into each other, beneath the moonlit sky, enveloped by the stars.

He slithers over her neck. She doesn’t resist. But, she swerves a wee bit.

A gasp breaks into a fiery kiss.

She can now feel his heart-beat on her chest. Does it bother her? Or is it the wet embrace?

He nibbles on her earlobes for a while, as she crumbles in passion. The sensual breeze adds to her torment.

நிலவில் காயும் வேட்டி சேலையும்
நம்மை பார்த்து சோடி சேருது
சேர்த்து வைச்ச காத்த துதி பாடுது சுதி சேருது!

What must be running in her mind, as he pauses to whisper his love in her ears, tightening his grip around her waist, all the while?

A shiver sizzling down her spine, she retracts her head a bit, and manages a half-simper.

He murmurs a little louder, letting his wet lips linger over her hair-line for an extra second, making sure that she gets the playful scorn.

It works. She instantly gives in to the charm. As the ripples get quicker, she pulls harder at his torso, letting her finger-nails run through his bare shoulders, all the way down to his palpable sacrum.

என்ன புது தாகம்…
அனல் ஆகுதே என் தேகம்!

He trembles instantly, giving out a muffled wail – a complicated series of agonized, rising vowels – and as if realizing the unintended breach of quietude, tries to hide it in a manly quiver and loosens his grasp a little.

Has she touched one of his ‘spots’ unknowingly? Had she gripped him too tight? 

And the next moment, their eyes meet briefly, begging for an explanation.

Enough of all the strokes and the tease… Her gaze screams. He didn’t hear it. But, it’s loud and clear, resounding through the shaggy ends of the tall branches.

Between the unlikely sweat in the coldness of the silvery waters, and the slippery rocks – random pieces of clothing scattered on the banks – they consume their love in the shallows, underneath a blanket of stars.

யாரு சொல்லி தந்து வந்தது…
காணா கனா வந்து கொல்லுது
இதுக்கு பேரு தான் மோட்சமா!

How would it be if none of this ever ended? The love, the passion, the overwhelming sense of completion…

As she loses herself in the sensual haze, that’s probably the only thing she could think of.

உன் கூட நான் கூடி இருந்திட
எனக்கு ஜென்மம் ஒன்னு போதுமா..
நூறு ஜென்மம் வேணும், கேட்குறேன் சாமிய!

Kodai Kaala Kaatre: A Burst of Blissful Nostalgia!

Celebrating the song that a generation, warming up to sophomore first-love, went crazy about…

-Mani Prabhu 

The piece works best when it’s read with the track playing in the background.

You remember that third-semester college trip to Kodaikanal, when you were clinging on to last row of the bus with your horde, immersed in the glorious boys’ ruckus, and she, for no particular reason, turned back, giving that piercing stare and you almost froze in the middle of that “ohhhhhhhh” that was dedicated to someone you can’t finitely recall…

Did she know then that you liked her? Was it some sort of an affectionate nudge, so that she could get the point across and also maintain a ‘decorum’ before her friends?

Thinking of it, did she mean anything at all? To you? To your teenage sentiments?

The tea-shop incident on the thirteenth hairpin-bend didn’t help, right? To make things clearer.

When you were passing the hot glasses one by one, getting each one from the sweater and monkey-cap clad master at the counter, and she standing next to you, holding every cup just for a little more, letting your fingers graze over hers for an extra split-second, all the while, holding onto a mockingly reactionless face…

What kind of “tease” was that?

That inebriated look that wouldn’t descend from your face, as you tried sipping your tea, walking up to that lonely boulder – a good two hundred hundred meters from where your bus was parked! “Dude, you got stoned?”  That confused guy’s doubt still rings in your ears, doesn’t it?

While you were staring at the mountains that seemed less mysterious compared to her that day, did she steal a moment’s gaze from the other side of the road?

How simple would it have been if it had ended there! For you. And for the world around.

But did it? Why should the rotis be over, all of a sudden, before you could finish your crazy photo-shoots and come take your plateful, on the lunch-spread in the lawns, the second day? Why should she notice that, in the hustle of all that compelling girly chit-chat… walk all the way from her gang, and offer you a couple? Why should you, despite having your favourite chicken curry already on the plate, deny at first, then take them and scurry back to your pack as fast as your legs could carry!

Were you indeed, somewhat special to her, in that bunch? Was something truly bursting out? As if, from a cocoon?

You could have known better, if only had she chosen to talk, instead of merely lifting her hands clearly in your direction, as if coaxing you to pull her on to the Dolphin’s nose, when there were at least twenty other boys around, only happy to help. But did she?

All these could have just been a loner’s romantic reverie if only… Yes, if only had she not stared into your eyes that way, straight through the flicker of the bonfire on the gardens of the youth hostel, on the third and final night of that fateful trip.

But alas!

Life had to get back to normal. Destiny had to give that sarcastic sigh.

Lectures, purely work related lab meets, gleeful hi-fis in elaborate birthday bashes, benign beach photographs with loads of feigned comfort, ridiculous doubts about the bare basics to just-pass the painful internals, all these and more.. but, if only had she told what was running in her mind, before you came to know, on a random sixth semester evening that she was going steady with the lead-singer of your college band.

Reality had to give that confusing slap. That was the “design”.

Irrespective of the kind of practical ‘so-so’ that transpires in this story from then on-wards… when after a couple of decades, you drive up Kodai in your car with this song playing in the stereo, you will look back fondly at all these images playing out in retro wave freeze-frames, and realize in a moment of gooseflesh-worthy nostalgia, why all these had to happen.

Till then, hang on. Life is good with Raja around.

The Punnagai Mannan Theme: A Fitting Demonstration of the Riveting Dance of Life!

An attempt at making sense of the Raja-KB duo’s evergreen masterpiece, the ‘Punnagai Mannan’ theme…

-Mani Prabhu

The piece works best when it’s read with the track playing in the background.

Sethu, the lone survivor of a dreadful suicide-attempt, almost dies a second time when he is absolved of all his murder-charges and denied a death sentence.

Wait… What?

This piece of information, as a string of words, might do no justice to the gravity of the situation we are talking about, but try putting yourselves in the shoes of the man, whose world had collapsed in a freaking moment like a deck of cards, and slowly, the unsympathetic play of destiny dawns on you.

A couple of weeks back, he was found, battered and almost-dead, unwillingly hanging on to his unlikely savior – a destined branch. Now, his entire life hung in the air.

Why should death evade you, when it embraces the one you thought you couldn’t live without?

The more you think of it, the more it makes life seem unapologetically muddled.

The clock answers? That really must be some bull, an unrealistic optimist made up out of thin air. Doubt it? Ask Sethu.

A year in prison doesn’t change much. The nightmares continue, even after the release.

Most of his days stretch out, struggling to cope with the unsparing truth that the person who meant the world to him was no more, and on top of it, with the indelible social stigma of abetting an insanely imprudent decision.

To waddle through life, grieving a dear one, is one thing. But, waking up every morning alone in bed, only to be reminded that a moment of reckless impulse had made all the difference, is a whole new ball game.  The latter ends up killing you… again and again. And before you know, you are a zombie! 

Fortunately for Sethu, after a period of a near-aimless actuality, he stumbles upon a new lease of life in art.

How? It’s tough to explain.

May be, as you start gaining years and perspective, you tend to come to terms with this. What lasts, lasts; and what doesn’t, doesn’t. Time solves a few things, but when it doesn’t, you have to work with it.

And that, Sethu does, probably, the only way he knows.

He finds purpose again in his long-lost passion, teaching dance. And slowly, everything starts to feel a tad less suffocating. Is this what they call ‘healing’?

Or, is it just the mind, in an attempt at protecting its sanity, covering the wounds with stripes of scar tissue, making them temporarily numb?

Whatever it is… into this apparently single-minded existence of his, enters a woman.

The name is Malini. Bold. Beautiful. And quite an irresistible personality.

Why? He couldn’t fathom. For he wasn’t done fighting his inner demons yet. The excruciating memory-trips had doused a bit, but they hadn’t completely stopped either.

But the woman had come in, and was persevering to stay put.

Sethu seems to turn a blind eye to the brimming attention, but is the callousness just an excuse to hush his screaming alter-ego?

And suddenly one day, in a gooseflesh moment of heightened emotions, it all bursts, one by one.

First, the ruthlessly sculpted mask of indifference – something the man had so agonizingly garbed over months – to conceal his layers of vulnerability.

Next, his super-ego, exploding into some kind of a beast of an art-form!

It’s weird. Day after day, for months, you hang on to life; avoiding connections in any form… and nothing seems to change. And then, in a second, everything’s different.

He shoves her into a seat. “Clap”, he howls.

Raja starts working his magic.

The cymbals start setting up the tempo, and the beats mesmerisingly synchronize with the claps. The atmosphere turns subtly psychedelic.

And here, Haasan, giving absolutely no hint whatsoever at the brilliance to unspool, starts off with his near-hypnotic terpsichorean trip.

The actor immediately recedes to the background. All you can see is a bottled-up man, exploding his senses off.

The percussions go on a merciless rampage.

The gyrations seem to be emanating from somewhere deep within him, assembled from bits and pieces of his agony, that continue to be reframed, redefined and repurposed with every step. Words belie the sudden paroxysm.

Imaginably, it was about time that this happened.

His soul, perhaps, always knew what to do to heal itself. The challenge was to silence the haunting doubts.

But how did she manage to do it?

Was his ‘bubble’ made too heavy to endure even the slightest of proddings? Or was it, in a way, made flimsier by the day?

The man, in a graceful coup of sorts, displaces all his pent-up torment in an energy-outburst that flows like fluid through the room. It’s truly a sight to behold.

And when you are least expecting it, he picks her up in a breath-taking curvet around her seat, and freezes mid-way in the closed-position dance stance.  And for a moment – probably, the first time in the last one minute – their eyes meet.

The way she looks at him… it speaks a million words. She is shocked beyond emotions. She is scared. She is dumbfounded. But then, there is something else that reigns supreme, superseding the mixed barrage. She feels something that she had never before seen in his eyes.

May be, a glint of love. Or the likes of that. It could also be a shimmer of hope.

Raja’s orchestration, to put it in a nutshell, is astounding at this juncture.

Sethu gasps for breath from the sudden bout of insane ardour. But Malini knows she saw a thing, beneath all the feigned stoicism. The tension is palpable.

As he walks away to continue his graceful thandavam – staging a swift escape from his own ambivalence – he seems truly liberated one moment. And the next moment, he looks possessed. 

What is he possessed with? A form of sinful attraction? Undeserving warmth? Plaguing guilt?

Or is it the detonation of a fatal blend of self-reproach, fear, hesitation, and exhilaration – taking the form of his favourite art form?

Is there a personal masochistic perspective at play?

After another minute of operating at the brutal thresholds of emotional-snapping, Raja reaches a spectacular crescendo with Sethu finally pausing for breath, his hands around Malini.

Strained moments of dyspneic intimacy ensue.

What is he feeling?

Is it some form of exasperation? Or better still, unadorned anger? Of the inability of his heart to listen to reasoning.

He takes her into his arms soon after, a strange heat radiating between them. They flow in sync, the sweat gliding down their skin, each dance-move leaving them a little more breathless.

And Raja, in this last minute of complementary duet, embarks on a riveting penance, where the sensuality meter rises by the second.

If you had even been drunk purely on the dance form, you would know!

It’s almost like they are searching for answers in each other, and at times, even the questions that beget them. Sethu seems to be blooming from the wound; he once almost-fatally bled from. Malini seems to be watering the scars. He appears to be erupting like a long-dormant volcano, releasing himself from the clutches of self-restraint. She appears to be lost in the spark of the moment. Together, as they sway to the magic, they can’t tell if it’s killing them a little more or making them stronger.

But one thing is for sure. Wounds don’t heal the way you want them to; they heal the way they need to. This healing-moment that stretches between what you once were, and what you are now becoming, is where the dance of life actually takes place.

And understandingly so… as this one, made timeless by Haasan, Revathi, Raja, and KB, fittingly demonstrates.

Aasaiya Kaathula Thoothu Vittu: One Hell of a Sensual Trip

Do you know that you could go insane by continually pondering on the circumstances under which Raja comes up with tunes like Aasaiya Kaathula Thoodu Vittu

How does it work? Is it about a mysterious muse?

Is he truly and hopelessly inebriated on lust? Or is he just pretending to be?

Is he acing the moment by teleporting himself into the carnal nooks of the human psyche?

Or is he just playing God, by conjuring up emotions with a mere flutter of his fingers over the keys?

How can someone, in the real world, hit upon the idea of using this otherworldly ‘violin-bit’ for opening a supposed item-song, which in turn leads up to the such kinky percussions?

Even as you accede to Raja’s inborn knack of defying artistic rationale, Shailaja’s mesmerizing rendition builds up on a weird kind of erotic rhythm, which intertwines your reality with that of a raunchy dream.

You could almost sense the hedonic arousal now. Its a magician toying with your sensuality. As if that isn’t enough to detonate your already charged-up synapses, the simultaneous kindling of the soul and the hormones also makes you question your own amorous sensibilities. Its befuddling.

The scintillating flute, the provocative strings, and all the orgasmic-humming grace the magnificent interludes with an unparalleled fizz, further edging up the muddled libido.

It slowly starts to inch beyond the confines of ‘words’. Like being pulled into a lavish whorehouse and offered the option of bailing out, in return for a specific-something. Its a trap. An insanely brilliant one at that.

But two aspects underline the track’s uniqueness, even under the unapologetic shadow of Raja’s super-sensual orchestration. The first is the visuals that never at any moment, border on ribaldry. And the second is the delightfully minimalist choreography that lends a whole new dimension to eroticism.

When a gifted seductress like Subashini is involved, rhythmic heel-taps, subtle shoulder-jabs and piercing stares are all that are needed to bump the spectator’s hormone levels to hazardous heights

Lesson well learnt.